视频简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。“21世纪雾都”新德里的污染究竟有多严重？持续的热浪与泛滥的瘟疫同人类的污染活动有何关联？拉胡尔·贾殷执导的这部纪录片采访了作为污染初始目击者的普通市民，展现了令人惊心动魄的污染场景，以客观真实的影像和哀伤的笔调，揭露了新德里极其严重的环境污染现状。有媒体赞誉本片为自《难以忽视的真相》以来所敲响的最有力的一记环保警钟。入围2021年戛纳电影节纪录片金眼奖竞赛单元，摘获2022年芬兰电影胡西奖最佳纪录片奖。。这是一部由著名推特@soverybritish的推文改编而来的纪录片，采访了诸多喜剧明星，讲述英国特色的处世文化。旁白Julie Walters。 关于英国： 一句sorry各种含义，"interesting"其实是“呵呵”，从早到晚一直道歉纯属习惯，怒火中烧也不忘表面的礼貌... 他们用客气的话表达嘲笑。
