视频简介
13岁的内特·福斯特是一个不受欢迎的中西部孩子，他幻想成为百老汇音乐明星。与此同时，内特甚至无法在中学的戏剧作品中扮演一个像样的角色，在合唱团中被选角为一棵树，而不是他渴望的主角。然而，他和他的好朋友利比在父母不知情的情况下策划了一次大胆的纽约市之旅，参加节目的试镜时，内特距离实现他毕生的梦想越来越近。但首先，他必须摆脱一系列阻碍他百老汇冒险之旅的威胁。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
